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Sophie Paterson on What Luxury Really Means in Interior Design

Sophie Paterson on What Luxury Really Means in Interior Design

An interview with interior designer Sophie Paterson.

If we could sum up Sophie Paterson Interiors in three words, it would be: timeless, refined, and luxurious. The Surrey-based boutique design studio has been transforming homes in the UK and around the world for 18 years, bringing elegance and, most importantly, a livability to every space they touch. As if running a successful business and being incredibly hands-on wasn’t enough, founder Sophie Paterson has her own interior design academy, a YouTube channel with a loyal following, and three collaborations with us at Armac Martin: Grove, Claremont, and Nelson.

We sat down with Sophie to find out what luxury means to her, her top design secret, and the three things everyone should do before embarking on an interior design project.


Features our Grove Bamboo Appliance Pull in our dark bronze (DBZ) finish.

In your own words, how would you describe Sophie Paterson Interiors?
Sophie Paterson Interiors is a luxury interior design studio specialising in timeless residential interiors. Our focus has always been on creating homes that feel elegant, comfortable and deeply personal to the people who live in them.

We work across everything from interior architecture and spatial planning through to the final styling, which means we’re able to create homes that feel really cohesive and considered. For me, great design isn’t about chasing trends, it’s about creating spaces that feel beautiful, calm and relevant for many years to come.

Why do your clients choose to work with you?
From the very beginning when I started my company, I always wanted to build really strong client relationships. At the end of the day what I’m doing is deeply personal, I’m creating a home for families. Often it’s the biggest investment people make, so I never take that responsibility lightly.

I always try to think about how we can make the process as enjoyable as possible. Of course large projects can sometimes feel stressful, but when you have a great relationship with your clients and a really collaborative approach, it can also be incredibly exciting.

Clients often tell us they appreciate how involved and supportive we are throughout the entire process, we guide them through every decision, big or small.

How do you approach your interior design projects?
Every project begins with understanding our clients, how they live day-to-day, what inspires them, and how they want their home to feel.

From there we start with the spatial planning and interior architecture before layering in materials, finishes, furniture and lighting. I often think of interiors as building layers starting with the foundations and gradually adding depth and personality.

We also collaborate very closely with architects, craftsmen and suppliers. The details are what make a project really special.

Are there any projects that you’ve enjoyed working on the most?
It’s honestly impossible to pick a favourite, every project is special in its own way. That said, I absolutely loved working with my Middle Eastern clients. By the end of the project I genuinely felt like I was part of their family because we got to know each other so well throughout the process.

I also loved learning more about their culture and understanding how that influenced the design. The entire experience was incredibly enriching for me and will always hold a really special place in my heart.

Do you have any dream projects you’d love to work on?
I’ve always thought designing a beautiful Mediterranean villa or wellness retreat would be amazing. Apart from that, I would absolutely love to design a boat one day, that would be a dream. Designing for life on the water would be such an interesting creative challenge.

Features our Nelson Cabinet Pull Handle in our dark bronze (DBZ) finish.

What does an average day look like for you?
My days are very varied, which is one of the things I love about running the studio.

Some days I’m reviewing design schemes with the team, visiting suppliers or attending site meetings. But running a business also means wearing lots of different hats interviewing people, reviewing accounts, marketing meetings, and overseeing product design for our collaborations.

Alongside the studio I’m also running the Sophie Paterson Academy, which involves filming content, reviewing lessons and developing new material. So my role is definitely very multifaceted: creative, strategic and occasionally requires me to multi-task.

What are your top tips for a client working with an interior designer for the first time?
Firstly, think about how you actually live in your home, not how you think you should live. That’s a really important starting point. Secondly, trust the process. Good design takes time, and the most successful projects are the ones where there’s a strong collaboration between client and designer. And finally, invest in the foundations, layout, lighting and materials because those are the elements that truly shape a space.

You work on a lot of luxury homes. What does “luxury” mean to you?
Luxury isn’t necessarily about expensive materials or grand gestures. More and more I’m seeing our high net worth clients prefer the way a room feels compared to how luxurious it can look which is such an exciting position to be moving towards from a design point of view.

For me, luxury is about thoughtfulness and how a home functions for the people living in it. It might be something as simple as having somewhere to rest your drink wherever you’re sitting in the living room, or creating low-level lighting so if your partner wakes up early they can move around without waking everyone else.

In essence, luxury is about creating a home that is completely tailored to how a family actually lives day-to-day, not how they think they should live, but how they truly live.

We collaborated on our Grove bamboo collection a few years ago. It remains a best-seller for the brand and is a long-standing favourite at Armac Martin. What drew you to creating this collection?
I’ve always loved the soft, organic silhouette of bamboo. It has a wonderful way of adding elegance while also softening joinery, whether it’s used in a kitchen, wardrobe or dressing room. Bamboo is also incredibly timeless, it’s something you see referenced in both fashion and interiors, and it has a lovely sense of heritage to it. When we began developing the Grove collection, the aim was to reinterpret that classic motif in a refined, contemporary way that would work beautifully across many different styles of interiors.

What are your favourite Armac Martin finishes and why?
I’ve always loved aged brass and brushed brass finishes because they add warmth and depth to a space. However recently I’ve been completely obsessing over nickel finishes. I’ll definitely be using nickel in my new home… along with a Nelson collection piece as well of course.

What do you like most about working in interior design?
The creativity, without question. There’s something incredibly satisfying about seeing a project evolve from an initial concept into a finished home that people can live in and enjoy. I also love the collaborative nature of the industry, working with architects, artisans, joiners, upholsterers and so many talented specialists. It’s a wonderful mix of creativity and problem solving.

Features our Nelson Cabinet Pull Handle in our dark bronze (DBZ) finish.

What are three things everyone should do before starting an interior design project?
Firstly, complete a detailed client briefing questionnaire. This becomes your bible for the entire project and the reference point for every design decision. (We actually include a template of the exact client questionnaire we use inside the Academy!)

Secondly, plan your layout in detail. Spatial planning is the foundation of a successful interior.

And thirdly, design your lighting early in the process. Lighting can make or break interiors, and if it’s considered too late it can significantly affect the final outcome.

Is there anything you would like to change about the industry?
I would love to see the industry become more open and inclusive. When I first started out, I reached out to many interior designers for advice and applied for several internships at studios but was rejected.

I also tried to open trade accounts and get access to suppliers but often found doors were closed.

That experience was actually what led me to create the Sophie Paterson Academy. I wanted to open up the industry and share the knowledge I’ve gained over the past 18 years. Unfortunately my design studio is at capacity otherwise I would love to offer internships and one-to-one mentoring, but everything I’ve learned throughout my career is shared inside the Academy.

What is one design secret you would be happy to share with our community?
Layered lighting. So many people rely on one central light in a room, but a truly beautiful space will include multiple layers, ambient lighting, task lighting and decorative lighting. It’s one of the easiest ways to completely transform the atmosphere of a home.

Features our Grove Bamboo Appliance Pull and Grove Bamboo T-bar Handle in our satin antique satin lacquered (SAS) finish our Diamond Interwoven Grilles in our antique brass lacquered (ABL) finish.

For more design inspiration, follow us on Instagram and Pinterest.


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